JayWood – Some Days EP Review

Captured Tracks – 2021

Coming as a debut in two senses, with this being Jeremy Haywood-Smith’s first major label release under Captured Tracks. And also being initially the first project that Haywood-Smith wrote and recorded, back in 2015. In our interview with him he said that due to the uncertainty of releasing new music at the moment he wanted to go back and revisit this project to bring it up to date with the current JayWood sound. And that is exactly what this EP stands as. It simultaneously brings JayWood’s early roots of bedroom pop and lo-fi recordings to a new refined and defined sound and showcases what’s next for this upcoming

The most major update is title track “Some Days” that now bolsters a super slick groove, undying beat and meticulously cool guitar lines. As each movement rolls past on this song you’re left in awe just how much magic is being layered on through the swirling soundscapes, it’s easy to get lost in the mystifying world that JayWood creates. Over a river of synthesisers and funk-infused bass lines Haywood-Smith looks on in hope for those better days, “I swear i’m not broken, I’m just a little bit lost, With a little guidance i’ll find the cause” he declares. It’s this juxtaposition of upbeat rhythm and tender lyrics that just adds another layer of brilliance to this sound. The original version of this track also gets added almost as a bonus at the end of the EP and its inspiring to see just how far Haywood-Smith has come from those raw early days. The tenderness of this is almost mirrored in “Dreams” as Haywood-Smith strips back the sound to incorporate only swaying guitars and slow plucked guitars. Paired with Haywood-Smith’s charming melodies, this track takes you into the clouds and guides you along the path of trying to finding hope.

Haywood-Smith’s psychedelia inspirations of UMO and Tame Impala come out in the track “Creep” through phaser smothered guitar lines and funk infused beats. There’s an underlying unease to this track that breaks out in short bursts of guitar riffs and synthesiser swirls but is carried by Haywood-Smith’s naturally cool vocal styles. The funk and jazz sound that Haywood-Smith is incorporating in this newfound sound makes a final appearance on “What You Do To Me”. It’s breezy, easy to listen to and will have you bopping your head along to its infatuating groove. Through subtle harmonies and a glorious ending breakdown Haywood-Smith finishes the EP as it started, impassioned and full of bravado. Keen ears will also hear a nod to a certain famous guitar solo by another fellow Canadian indie rocker.

The JayWood project is one that has continued to evolve from the very early lo-fi days, to his bedroom-pop and radio station inspired debut album Time. And now with this project Haywood-Smith has brought everything up to speed, building himself a diving board for both listeners to dive into his captivating world and himself to swim out into the ocean of sounds that are waiting for him to mould together.

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