Heavy and harsh is the sound of The Horrors newest EP Lout. Following on from 2017’s V, an album that blended the emo-rock aspects of the bands sound with a synthesised drive. They return with an EP that is full of abrasive, distorted and beat driven tracks that returns to the heavier roots of their 2007 debut album Strange House.
Title track “Lout”, which is a word used to describe brutalist men, bursts into action with its heavy syncopated drum beat and industrial metal guitar lines. As lead singer Faris Badwan borders on the lines of screamo and the bands classic emo rock, you can hear the true ferocity that the band have tapped into. The soundscape is alive, continuously grinding and overall just simply exciting to listen to.
Moving into “Org” with sounds that were found on the likes of Poppy’s I Disagree, the band go even more left-field incorporating their synthesised sound into a new blistering form. The glitchy vocals and beats are pounding and it feels like you’re at an underground rave, roof shaking all whilst the guy on stage sees how many effects he can throw onto a sound. There’s even some 100 gecs inspired movements during the second with the off-key switch up. It’s both disturbing and emphatic at the same time.
And on “Whiplash” the band combines elements of both previous tracks to create a harsh and unforgiving goth metal banger. This newfound sound from the band both matches the melodic and stylistic feelings from previous workings, whilst simultaneously pushing the boundaries of how far the heaviness of their sound can go. Upon the announcement of this EP the band said that this would be an insight into the direction of their upcoming album. If it’s anything similar to the quality of this EP then it could well be some the bands most exhilarating work of recent times.